There are many theories on how to think about colors and how to artistically use them. Color wheels (like the ones below) show different and exciting examples. The Color Bias wheel on the left (painted from an art lecture) shows how neighboring hues react together when the same color's temperature is warm or cool. On the right is Grumbacher brand art materials' color wheel, which is a much more dynamic illustration of the three-dimensional interaction between opposing colors on the wheel and how they make neutral grey when added together. It also shows examples of how colors react when black and white are added. These are only two examples of many ways color theory can be visually explained, but they're some of my personal favorites -- simple and thorough. Isn't color theory fascinating?
These colors are everywhere in nature, and I found examples of them just by looking around outside. Sometimes the best way to find a color scheme for a piece is simply to look at Mother Nature. Beautiful.
If only I could paint as well as this tree does!
Traditional media was an insightful adventure, but my creative intention was to represent the color much cleaner with crisp levels of transparency. I knew I liked the concept of the hues with some graphic splashes of black and white. You can see here that I even pulled in some found objects to conceptualize with.
Fully inspired, I jumped back into the digital space where RGB is king…usually. First I made a wheel of CMY divided into thirds and cut it into many pizza wedges. Those were turned transparent and, while trying to keep them pointed toward the center, I overlapped and scattered them, which created subtle color changes of secondary colors orange, green, and violet.
A really tricky part was translating these little pizza slices of color into solid, printable screens. After I had mocked the piece with transparent layers, I got word that the printer didn't print transparencies, so I had to figure out a way to fake it so it appeared transparent. Sometimes the creative process throws you a loop -- POW! – and you gotta go with the flow and get real tricky to make your vision work!
This was a totally successful experiment. I used the halftone tool to make different value frequencies with tiny dots, so the forced “transparency” would still interact with the neighboring color. It worked! Here is a close-up of the detailed halftone dots. I really learned a lot on this piece!
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